Padre Pio for a new generation of young Catholics: A Review of "Wounds of Love" by Phillip Campbell

Detail from the cover of Wounds of Love: The Story of Saint Padre Pio.

Like Jeanne d’Arc or Francesco di Bernardone, Francesco Forgione was one of those unique individuals gifted by God to the human race to assure us of His love, His understanding, and above all else, that He is not deaf to our sufferings and entreaties. But unlike these other great visionary saints, Forgione was not a streak of light which flashed across the firmament and returned quickly to heaven. 

Saint Joan’s mission lasted about two years before she was martyred at age 19. 

Saint Francis of Assisi was 45 when he passed to eternity, roughly 20 years elapsing between his call and his death.

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Saint Pio of Pietrelcina, on the other hand, spent almost the entirety of his long life as a suffering servant of Jesus Christ. Afflicted with ill-health, physical infirmities, the Stigmata, and demonic attacks which left him battered and bruised, Padre Pio was also subjected to slanderous assaults on his character, all over a period of nearly seven decades. Yet during that time, he was able to touch the lives of thousands upon thousands of people, uniting his suffering to that of Christ and translating it into God's grace to heal sinners from all over the world. And his reach was truly immense. At his shrine at San Giovanni Rotondo, there is a wall of shelves filled with thousands of letters received by Padre Pio—in a single year. 

Nearly as many people recall unforgettable personal encounters with the gruff Capuchin saint of San Giovanni Rotondo, either in the flesh, or in the spirit. It is said that he heard about five million confessions over the course of his priesthood. And there are numerous miracle stories. One such story that I heard in person is that of Philadelphia native Frank Tenaglia (1965-2019) who credited Padre Pio with healing him of a grave childhood illness—a miracle which allowed him to praise God with his amazing voice for many years. 

Though there are myriad books about Padre Pio's extraordinary life, very few of these are accessible to younger readers. This has now changed with the release of Wounds of Love: The Story of Saint Padre Pio by Phillip Campbell. I have been waiting for a book like this for years. It’s no easy task to condense the long and eventful life of someone like Padre Pio into the historical fiction format which appeals to young readers, but Phillip Campbell has done a masterful job. His focus on the early life of St. Pio is pitch-perfect. While most readers think of Padre Pio as a rather grumpy elderly man, Campbell’s presentation spends more time introducing readers to the young Francesco Forgione growing in grace and holiness in the bosom of a loving family.  

Wounds of Love includes some of the most famous anecdotes associated with Padre Pio, including the well-known incident reported by General Nathan F. Twining of a Capuchin monk appearing in the sky to thwart Allied bombing runs on San Giovanni Rotondo during World War II. Campbell also relates a few more obscure ones, including one that I had never heard before, despite having read several books on Padre Pio in the past. In Chapter 12, the novel delves into the slanders aimed at Padre Pio by those within the Church in the early 1960s. In an effort to gather evidence against him, someone apparently wiretapped his confessional. Originally, I thought that this outrageous story belonged more to the “fiction” than to the “historical” side of the narrative. But upon further research, I discovered that this inconceivably awful tale was true—and that Padre Pio actually did discover the microphone himself and cut out the wire with a penknife! 

In sum, Wounds of Love is a fantastic book and I heartily recommend it to readers of all ages. If you need additional proof of how the story draws you in, I gave it to my 17-year old son to read and he polished it off in about a week. What's more, he immediately moved on to a more in-depth biography of Padre Pio that we have on our bookshelves. 

Mission accomplished, Mr. Campbell!

Who was Veronica? Tracking down one of the most beloved figures from Christ's Passion

Christ heals the woman with a flow of blood as depicted in the
Catacombs of Marcellinus and Peter in Rome, 4th century AD.

One of the more enigmatic figures from early Christian history is Saint Veronica—the woman known to Catholics from the Sixth Station of the Cross, who is said to have wiped the face of Jesus while He carried His cross on the road to Calvary. There is a memorable and beautifully presented sequence of scenes featuring Veronica in Mel Gibson's Passion of the Christ. But nowhere is the woman or the incident described mentioned in Sacred Scripture. 

To learn about Veronica, we must turn to extra-biblical sources. The first mention of a woman named Veronica associated with Our Lord may be found in an apocryphal work known alternately as the Acts of Pilate or the Gospel of Nicodemus. The scholarly consensus is that this work does not come from Apostolic times, but was written during the Patristic period sometime after the middle of the 4th century AD. Even so, it is considered a suitably ancient work and it likely includes traditions held by the community of the very early Church. The work records the names of several otherwise unnamed minor personages mentioned in the Gospels, such as the centurion at the crucifixion (Longinus) and the two thieves crucified along with Jesus (Dismas and Gesmas). Also named is the woman whom Jesus healed of a hemorrhage of blood in Matthew 9:20-22:

There was found there also a woman named Veronica [or Bernice], and she said: Twelve years I was in an issue of blood, and I only touched the edge of his garment, and directly I was cured. [Acts of Pilate, Chapter 7]

This is important because it connects Veronica with another, more reliable ancient source: The Ecclesiastical History of Eusebius. In this work, we find the following fascinating passage:

Since I have mentioned this city [Caesarea Philippi] I do not think it proper to omit an account which is worthy of record for posterity. For they say that the woman with an issue of blood, who, as we learn from the sacred Gospel, received from our Savior deliverance from her affliction, came from this place, and that her house is shown in the city, and that remarkable memorials of the kindness of the Savior to her remain there.

For there stands upon an elevated stone, by the gates of her house, a brazen image of a woman kneeling, with her hands stretched out, as if she were praying. Opposite this is another upright image of a man, made of the same material, clothed decently in a double cloak, and extending his hand toward the woman. At his feet, beside the statue itself, is a certain strange plant, which climbs up to the hem of the brazen cloak, and is a remedy for all kinds of diseases.

They say that this statue is an image of Jesus. It has remained to our day, so that we ourselves also saw it when we were staying in the city.

Nor is it strange that those of the Gentiles who, of old, were benefited by our Saviour, should have done such things, since we have learned also that the likenesses of his apostles Paul and Peter, and of Christ himself, are preserved in paintings, the ancients being accustomed, as it is likely, according to a habit of the Gentiles, to pay this kind of honor indiscriminately to those regarded by them as deliverers. [Ecclesiastical History of Eusebius Pamphilus, Book VI, Chapter 18]

Recall that Eusebius was writing in the early 4th century AD. There is so much packed into the above passage that it will probably require a post of its own at some point.

The Chronicle of John Malalas (written in the late 6th century), elaborates on this episode, relating that Veronica petitioned Herod (probably Phillip the Tetrarch also known as Herod Phillip II) for permission to raise a statue to Jesus. Incredibly, Herod not only agreed but ordered her to set up a larger statue than she had first proposed:

King Herod, hearing this prayer of hers, was surprised at the marvel. And fearing the mysterious healing, he said: “this healing, O woman, is worth a larger statue. Go then and set up whatever statue you wish, praising with zeal him who had healed you.” And straightway Veronica, who was formerly bleeding, set up in the midst of her city Paneas a bronze statue to the Lord our God Jesus Christ, of hammered bronze mixed with a small portion of gold and silver. That image stands to this day in the city of Paneas, having been carried many years ago from the place where it had stood in the midst of the town to a holy church. I found in that city of Paneas a memorandum about it by a certain Bassus, a former Jew become a Christian, with the life of all the former reigning kings in the territory of Judaea. [Chronicle of John Malalas, 10.239]

Malalas's notice here is important for two reasons. First, he connects Veronica's name with the woman healed of a flow of blood in the late 6th century, demonstrating that he was familiar with the Acts of Pilate or another ancient source with the same information. Second, he's writing in the Greek east, not the Latin west where Veronica's name and role would become more legendary in the Middle Ages.

While it is not impossible that this Veronica also wiped the face of Our Lord during his passion, I was unable to locate any early records corroborating this event. The earliest sources mentioning it seem to be from the high Middle Ages. It is interesting to note, however, that the name of Veronica is associated with one of the earliest recorded images of Christ, apparently commissioned by a saintly woman who saw Our Lord in the flesh.

As for the mysterious artifact known as the Veil of Veronica, that will have to be the subject of a future post.

Goodreads Giveaway ~ Phillip Campbell's Story of the Philippines: God's Rampart in Asia

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One of the books cited frequently on this blog is The Story of the Philippines: God's Rampart in Asia. Written in the style of Campbell's Story of Civilization curriculum for Catholic students, The Story of the Philippines is a readable capsule summary of the long and complex history of the Filipino people, complete with poignant and amusing vignettes written in Campbell's appealing style.

Well, through Thursday, April 13, 2023, you can enter to win a free copy of this book on Goodreads. Details may be found by clicking the link below:

The Story of the Philippines ~ Giveaway on Goodreads.

Five gratis copies of the book are available. 

As it is meant for young readers, the book includes several really nice illustrations by artist Lori Kauffmann who, as it turns out, also did the cover art for all of my Belisarius books.

Here are a few examples of here illustrations that accompany and enhance The Story of the Philippines:

Chinese Traders visit the Kingdom of Tondo.

MacArthur and Osmeña return to the Philippines, October 1944. 

Ferdinand and Imelda Marcos.

Regular readers of this blog know that that the Philippines, the Spanish-American War, and the Battle of Manila Bay are regular topics. Here are links to several related articles:

• The First Mass in the Philippines, March 31, AD 1521 ~ An eyewitness account by Antonio Pigafetta
• "For many a year they will remember the two stout galleons of Manila." ~ The victory of the Spanish over the Dutch at the Battle of Naval de Manila, AD 1646
• The Destruction of Fort Drum, the Famous Concrete Battleship of Manila Bay
• "Open with all guns." The Battle of Manila Bay, May 1, 1898
• Telling the Story of the Philippines ~ Eastern History for the Catholic Student