Wednesday, July 31, 2024

Mocking Christ in Paris

The Last Supper in cast iron, as found in the Mercer Museum, Doylestown, PA
I'm not going to get into the details of the disgusting mockery of the Last Supper perpetrated by those responsible for the opening ceremonies of the 2024 Olympic Games in Paris. Let it suffice to say that the blasphemous display was perfectly in keeping with the evil times in which we live. So I congratulate the Paris Olympics Committee for providing an unmistakable public proof of just how vulgar and odious French culture has become, and broadcasting it to the wide world.

That said, there is a social media trope out there that maintains that the tawdry performance was not meant to ridicule the Last Supper at all. That it was, instead, merely an attempt to mimic a well-known French painting showing the pagan gods at a Bacchanalian. Those who can not appreciate this homage to French art—so the trope goes—as performed by a bunch of overweight men prancing around in their granny's flapper garb, are ignorant, uneducated, intolerant, overly-sensitive, and otherwise bad people who can be safely ignored. 

I took the time to research and respond to one such post that showed up in my feed. I am recording my findings here for posterity because I fully expect that my response will be summarily deleted by the original poster or memory-holed on the particular social media platform where I posted it.

For the record, the original painting was by a Dutchman, Jan Harmensz van Biljert, not a Frenchman. And the painting, The Feast of the Gods, is itself pretty clearly a parody of da Vinci's Last Supper, but with a Bacchanalian twist. 

Furthermore, someone at Paris2024 apparently admitted to Washington Times reporter Valerie Richardson that the insipid performance was, in fact, "inspired" by the Last Supper. 


In case the image gets pulled down later (which has happened before), the text of the email reads as follows:

Dear Valerie,

Thank you for your inquiry. Please find below a statement, which can be attributed to a Paris 2024 spokesperson.

“Clearly, there was never an intention to show disrespect towards any religious group or belief. On the contrary, each of the tableaux in the Paris 2024 Opening Ceremony were intended to celebrate community and tolerance.

“For the ‘Festivities’ segment, Thomas Jolly took inspiration from Leonardo Da Vinci’s famous painting to create the setting. [Bold is mine] He is not the first artist to make reference to what is a world-famous work of art. From Andy Warhol to the Simpsons, many have done it before him.” 

Best,

The Communication Team
Paris 2024

If you need more evidence of the intentionality of this cheap shot at Christians, and the subsequent lying about it, screenshots of later-deleted posts by folks involved may be found here: Lying about the Olympic Last Supper a sign of our times.

May St. Genevieve, St. Louis, St. Joan, and St. Therese pray for France which has fallen down.

Thursday, July 04, 2024

St. Clair Augustin Mulholland ~ Irishman. Philadelphian. Artist. Civil War Hero. Catholic.

General St. Clair Augustin Mulholland later in life.
As Independence Day approaches each year, I make a habit of finding a patriotic movie or two to pop into the DVD player to watch with the kids. This year, we began with Gods and Generals, that beautiful but flawed epic of the first two years of the Civil War. The film contrasts the career of Confederate General Thomas "Stonewall" Jackson with that Union General Joshua Chamberlain, and while focusing on these two, it introduces several other figures as bit players. 

One of these who showed up during the Battle of Fredericksburg was St. Clair Augustin Mulholland. When his name was shown on the screen, it looked familiar. Where had I seen it before? Ah, yes! He appeared prominently in a previous post: "One of the most impressive religious ceremonies I have ever witnessed" ~ Father William Corby's general absolution at Gettysburg.

Mulholland had been at Gettysburg where he witnessed Fr. Corby's general absolution. It was his account of the act that I had included in the post, taken from his book, The story of the 116th Regiment, Pennsylvania Volunteers in the War of the Rebellion.

But as with so many of these amazing men from the Civil War period, there is much, much more to General Mulholland's story than mere gallantry in combat—though there is plenty of that.

And he is practically forgotten today, even in his adopted hometown of Philadelphia where his earthly remains lie interned in Old Cathedral Cemetery. 

St. Clair Augustin Mulholland was born a son of the Emerald Isle in County Antrim in AD 1839. When still a boy, his family emigrated to the United States in the midst of the Potato Famine. As with many Irish youth, Mulholland gravitated toward a military career, and by the time the American Civil War erupted in 1861, he would become a colonel at the ripe age of 23. 

Mulholland in uniform
during the Civil War.
Serving throughout the war, Mulholland saw action at Fredericksburg where he was wounded leading the ill-fated charge up Marye's Heights. He would be awarded a Congressional Medal of Honor for his gallantry covering the Union retreat at Chancellorsvile. As mentioned above, he served at Gettysburg where his regiment was practically annihilated. He survived to fight and receive wounds at Wilderness. He was wounded again at Po River, and badly injured by a musketball to the groin at Topotomy Creek. 

For his outstanding courage during the the Civil War, Mulholland was given brevet rank of Major General.

But that's not where his story ends, not by a long-shot. 

Following the war, Mulholland returned to Philadelphia where he became chief of police in 1868. In that post, he was credited with bringing discipline to the department which had been in some disorder before his arrival. He is also praised for breaking up a gang known as the "Schuylkill Rangers" which had been terrorizing the city.

He served many years on the Board of Prison Inspections. According to a eulogy written at the time of Mulholland's death in 1910 in the Journal of the American Irish Historical Society:  

It was said of him that he personally helped more unfortunates to start life anew than any other man in the state. He made the subject of prison discipline and its reform a study, and it was he who formed the committee that drafted the new parole law.

General Mulholland was also a lover of American history, particularly the contributions which Irish and Catholic Americans had played in it. Perceiving that secular and Protestant historians tended to minimize or ignore completely the role played by Catholics in American history, Mulholland participated in a campaign of speeches and memorials to remind the nation of their contributions. As part of this effort, Mulholland and his fellow Irish Catholics funded and built several memorials. 

Statue of Commodore Barry in Philadelphia.

Mulholland played a key role in raising $10,500 (the equivalent of about $350,000 in today's dollars) for the creation of the prominent statue of Commodore John Barry which may be seen to this day in dramatic pose behind Independence Hall in Philadelphia. Of Commodore Barry, Mulholland would offer the following praise in a speech

One of the most illustrious of Ireland’s sons, a brilliant child of the wind and waves, a heroic warrior of the sea who never knew defeat, the Father and Founder of the Navy of the United States.

It was General Mulholland who first conceived the idea of raising a statue to his friend, Fr. Corby, saying that it would "be of great benefit to the Catholic Church, identifying the Church with patriotism on the battlefields of our country." [Memoirs of a Chaplain's Life, Appendix 2] As chairman of a committee of the Catholic Alumni Sodality, General Mulholland was instrumental moving the project forward. The statue of Fr. Corby was completed shortly after Mulholland's death in 1910. 

Also late in his life, Mulholland was appointed to head the commission to create the Pennsylvania memorial at Gettysburg. Though he did not survive to see the completion of the project, the Pennsylvania memorial would be built and is the grandest on the battlefield. 

While doing the research on this post, I was surprised to discover that there was another side of General Mulholland. Beneath his rough exterior hardened by years of exposure on the march and danger on the battlefield, St. Clair Mulholland retained the softer soul of an artist. Similar to Lew Wallace, who eclipsed his fame as a general during the Civil War by writing a memorable novel (Ben Hur), St. Clair Mulholland was an accomplished painter of landscapes. Following the war, he embarked on a five year tour of Europe where he painted many beautiful scenes. Some examples of his work may be seen below:

Grand Canal, Venice.

Rowing in the Marsh

Shipping of the Coast

Mulholland was also personally devout and chivalrous. In a 1928 essay, Anne Easby-Smith records the following about the general: 
Yet this richly gifted man was, in his piety, as sincere and simple as a little child. His devotion to the Blessed Virgin was touching. From the age of fifteen until his death, he recited the rosary daily. His courtesy to women is illustrated by an incident during the War. Leading a hundred men through the swamp of Chickahominy, he came to a narrow pass where there was room for only one. Two Sisters of Charity were approaching. Immediately, the young officer stepped into the muddy swamp, to be followed by the whole regiment, to the great confusion of the Sisters.
For all his accomplishments, General Mulholland seemed to remain a humble soul to the very end of his life. When he died in 1910, he was buried in Old Cathedral Cemetery in a grave without a marker. The existing plaque was added much later. In the conclusion of her essay, Anne Easby-Smith sums up General Mulholland's character in this way:  
A soldier first and last, General Mulholland had simple tastes and few personal wants. “When I die,” he had said, “wrap me in the American Flag and put me in the hole. That is all the funeral I need.” Faithful to the flag for which he had fought and bled, General St. Clair Mulholland was equally faithful to the creed of his fathers, a true Catholic layman who stood before the world proud of the dual loyalty to God and country of which his entire life was a noble illustration.
What more is there to say? General Mulholland is yet another of those incredible, multi-faceted individuals whose characters were shaped in the forge of the American Civil War and whose subsequent noble lives are an ornament to the country they loved. Given General Mulholland's devotion to God, Ireland, America, and the memory of Civil War comrades, I suspect that the depiction of the sacrifice of the 116th Pennsylvania at Fredericksburg in Gods and Generals would have met with his approval, even if his own prominent presence in the film as their heroic leader may have piqued his humility.

Here are a few other posts on the Civil War that have appeared on this blog: